________ you be happy!

[　　]

You must have heard these words like how happy it is to be a child． But would you  16  change places with a child? Think of the years at school: the years  17  living in constant fear of examinations and school  18 ． Every movement you make, every thought you think is  19  by some adults． Think of the  20  you had to go to bed early, you had to eat  21  thing that was supposed to be good for you． Remember  22  “gentle” pressure was given to you with words like “If you don’t do as I say, I will…”． I’m sure you will never forget!

 23  these are only part of child’s  24 ． No matter how kind and loving parents may be, children often  25  from some terrible and illogical  26  since they can’t understand the world around them． They often have such fears in the dark or in the dream． Adults can  27  their fears with other adults  28  children have to face their fears alone．

But the most  29  part of childhood is a period when you  30  to go out of it, the period when you go into adolescence（youth）．Teenagers start to be  31  their parents and this causes them great  32 ． There is a complete lack of self-confidence during this time． Adolescents pay much attention to their  33  and the impression they make on others．They  feel shy, awkward and clumsy（笨拙的）． Feelings are strong and hearts  34  broken． Teenagers  35  moments of great happiness or black despair． And through this period, adults seem to be more unkind than ever．

1.A．willing    B．unhappily          C．friendly             D．honestly

2.A．spent      B．taken         C．had  D．devoted

3.A．results            B．exercises           C．reports      D．teachers

4.A．observed        B．seen           C．known       D．watched

5.A．years      B．times         C．evenings           D．days

6.A．helpful  B．harmful             C．hateful       D．delicious

7.A．what       B．why   C．that  D．how

8.A．Though            B．Even so      C．But    D．Therefore

9.A．difficulties  B．life         C．trouble      D．fears

10.A．gain      B．suffer         C．receive      D．get

11.A．troubles        B．fears          C．diseases    D．worries

12.A．enjoy  B．deliver       C．share         D．break

13.A．while    B．when         C．so      D．however

14.A．exciting         B．interesting     C．painful       D．forgettable

15.A．have     B．need          C．remember               D．begin

16.A．dislike           B．be against      C．cheat         D．be for

17.A．unhappiness  B．interests       C．happiness               D．determination

18.A．confidence            B．patience           C．a(chǎn)ppearance       D．a(chǎn)ction

19.A．really  B．truly           C．naturally           D．easily

20.A．pass      B．experience        C．face            D．take

“You must give something back to your community,” my mother told me summers ago. Since she was  1   me to do something. I figured that I might as well enjoy it and so I decided to  2  swim lessons . I love the  3  and I thought I could  4  that love with others by helping little kids learn to swim.

As an assistant to an instructor I started off . When I got in the water, I   5  a boy of about eight sitting on the edge of the poo1 looking   6 . That was how I got to know Jack.

While   7  to get Jack in , I was told that he had a(n)  8  that caused him to be afraid of many things,  9  the water. He was so scared that when he first got in , he held me very tightly. I had thought this would be a long and  10  two weeks with Jack,  11  after a while he became more comfortable  12  me and began to love the water. His parents watched him with the biggest   13  . They never thought their son would be able to   14  .

I felt like such a hero for making the  15   so happy. By the end of the two weeks, I had a special tie with Jack, and I'll never forget him and the difference I made to his  16    .Although teaching him to swim may sound like no big deal, it  17  huge.

On the last day of the lessons, Jack's mother told me  18  he always talked about me at home, and was so  19  to come to this lesson every day. These are the  20  things which make my community worth all the time. That's what I've given over the past few summers.

1．A．persuading            B．forcing               C．a(chǎn)llowing              D．begging

2．A．take                     B．give                    C．quit                    D．learn

3．A．kids                     B．response             C．a(chǎn)dvice                D．water

4．A．share                   B．sell                     C．a(chǎn)ttach                 D．exchange

5．A．blamed                 B．watched             C．noticed               D．observed

6．A．a(chǎn)nnoyed               B．terrified              C．surprised            D．satisfied

7．A．trying                   B．a(chǎn)greeing              C．carrying             D．pretending

8．A．a(chǎn)bility                   B．habit                   C．interest               D．illness

9．A．merely                 B．especially            C．finally                 D．naturally

10．A．puzzling              B．frightening          C．disappointing       D．charming

11．A．but                     B．so                      C．or                      D．a(chǎn)nd

12．A．without              B．a(chǎn)round                C．a(chǎn)bove                 D．behind

13．A．smiles                B．patience              C．worry                D．cries

14．A．give in                B．turn up               C．set out                D．make it

15．A．boy                    B．friends                C．parents               D．family

16．A．holiday               B．life                     C．study                 D．health

17．A．stayed                B．seemed               C．remained            D．felt

18．A．how                   B．where                 C．when                 D．why

19．A．worried              B．nervous              C．excited               D．curious

20．A．necessary           B．little                    C．important            D．unusual

You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest that you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a gook picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you’ll find that even the professionals have to use a lot of film when they are out shooting.
Not every shot（鏡頭；景） is going to be a winner. If you look at the work of even the best photographers, you’ll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.

1. 1.

   According to the passage, one can become a better real-life photographer by ________.

   1. A.
      watching other photographers at work                  
   2. B.
      learning about famous photographers
   3. C.
      just taking a great many photographers          
   4. D.
      developing skills and ideas for yourself
2. 2.

   The writer thinks that a photographer is required to ________________________.

   1. A.
      go out and search for unusual situations  
   2. B.
      be highly skilled in camera techniques
   3. C.
      be able to tell when a good situation might come
   4. D.
      have a camera which is easy and quick to use
3. 3.

   Most likely, to catch the tight moment, one must ________________________.

   1. A.
      take pictures without too much preparation           
   2. B.
      take a whole series of similar pictures
   3. C.
      take great care to set up the situation                    
   4. D.
      take one picture just at the right moment
4. 4.

   Which of the following statements is TRUE?

   1. A.
      The waste of film in photography is essential to the production of good pictures.
   2. B.
      Film manufacturers usually enjoy pictures by inexperienced photographers.
   3. C.
      Only amateur photographers waste film in taking pictures.
   4. D.
      The waste of film, which is the result of poor choice of subject, is expensive and unnecessary.
5. 5.

   The passage is _________________________.

   1. A.
      part of a book of camera instruction              
   2. B.
      an advertisement for film
   3. C.
      a history of photography                              
   4. D.
      an introduction to photography

（C）
You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest that you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a gook picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you’ll find that even the professionals have to use a lot of film when they are out shooting.
Not every shot（鏡頭；景） is going to be a winner. If you look at the work of even the best photographers, you’ll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.
51. According to the passage, one can become a better real-life photographer by ________.
A. watching other photographers at work                  
B. learning about famous photographers
C. just taking a great many photographers          
D. developing skills and ideas for yourself
52. The writer thinks that a photographer is required to ________________________.
A. go out and search for unusual situations  
B. be highly skilled in camera techniques
C. be able to tell when a good situation might come
D. have a camera which is easy and quick to use
53. Most likely, to catch the tight moment, one must ________________________.
A. take pictures without too much preparation           
B. take a whole series of similar pictures
C. take great care to set up the situation                    
D. take one picture just at the right moment
54. Which of the following statements is TRUE?
A. The waste of film in photography is essential to the production of good pictures.
B. Film manufacturers usually enjoy pictures by inexperienced photographers.
C. Only amateur photographers waste film in taking pictures.
D. The waste of film, which is the result of poor choice of subject, is expensive and unnecessary.
55. The passage is _________________________.
A. part of a book of camera instruction               B. an advertisement for film
C. a history of photography                               D. an introduction to photography